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February 26, 2003 News Releases
Released 2/25/03

KCACTF AT UTAH STATE UNIVERSITY ENDS IN “SUCCESS AND FABULOUS FUN”

LOGAN — The motels were all booked, restaurants were crowded and the Utah State University campus was full. Sound bad? Actually, these elements measured the success of the Kennedy Center American College Theatre Festival (KCACTF), which took place Feb. 11-16 at Utah State University. The event, full of performances, competition and workshops, fully engulfed northern Utah, creating memories, collaborations and friendships.

The festival went way beyond expectations, according to Bruce Duerden, one of the festival coordinators and theatre arts professor at Utah State.

“Gracious reports about the community, its support of the arts and Utah State keep coming in,” Duerden said. “Everyone had a fabulous time. We, as a department, a university and a community, set the bar high.”

The schools and students participating in the festival left at the end of the week with awards, but some of the best are still in Logan. Utah State Theatre (UST) continued its KCACTF success in true fashion. Both design and performance students made an impact during the week.

“Our actors contributed a lot to the success of the plays and made several major contributions in competition,” said Adrianne Moore, a performance professor in the Utah State theatre arts department and a director of a 10-minute play in the festival. “Quality actors play a
huge part in the development of these plays.”

Many UST performers successfully auditioned for and appeared in the 10-Minute Play Fest. Those in the productions include Brian Bahr, Tyson Smith, Melissa Thereon, Kathy Bateman and Christian Shiverdecker.

Also of note, is Eric Van Tielen’s trek to the final round of the Irene Ryan Acting competition. Van Tielen, a fall 2002 graduate of Utah State, made the final list of actors after it was pared down from more than 200 participants.

In design competitions, Utah State Theatre students took three major awards.

Preston Harman, a junior lighting design major, took home two prizes. He won the National Award for Lighting Design for his work in Utah State Theatre’s production of “To Kill a Mockingbird,” which takes him to Washington, D.C., to compete this spring. He also received a scholarship to the prestigious Cal State Professional Summer Arts Design Program.

“I was shocked, excited and overwhelmed,” Harman said. “I never though about winning the award before, but I am honored to have a great opportunity. I am anxious for the chance to make the trip and, who knows, perhaps I can make a few key contacts for the future.”

Another Utah State designer of note is Bryan Richards, a graduating senior in sound design. Richards is the Region VIII nominee for sound design for his work in “To Kill a Mockingbird.” If chosen for the national competition, he will compete in Washington, D.C., this spring as well. The decision will be made in the next several weeks by a national panel.

Rachel Wendel rounds out the USU design award winners with a National Award for her costume design in Utah State Theatre’s production of “The Boy Who Drew Cats.” As the winner, Wendel is also on her way to D.C. this spring.

As a production, “The Boy Who Drew Cats” is a finalist for performance at the national convention. The process is still underway but if selected, the production will travel to Washington, D.C., in the spring and be the featured play at the festival.

For more information on KCACTF or Utah State Theatre, call (435) 797-1500 or visit www.usu.edu/theatre.

February 25, 2003
Contact: Jeremy Gordon (435) 797-1500


UTAH STATE STUDENTS CAPTURE AWARDS AT LIONEL HAMPTON JAZZ FESTIVAL

LOGAN — Students from the jazz program in the department of music at Utah State University took part in the Lionel Hampton Jazz Festival last week (Feb. 18–22), and three returned with top awards. Larry Smith, head of the jazz program at Utah State, made the announcement.

The Lionel Hampton Jazz Festival is an annual event at the University of Idaho. There are performances, workshops and a variety of competitions. The Utah State students were recognized in the solo competitions. Winners include Kate Proudfit Skinner, best jazz vocalist; Josh Skinner, best string bass soloist; and Jesse Schafer, best guitar soloist.

Smith noted that the three award-winning students will be featured in the next jazz concert at Utah State, March 4.

February 25, 2003
Contact: Larry Smith (435) 797-3003



UTAH STATE UNIVERSITY FOLKLORE STUDENTS IN STATEWIDE CONFERENCE

LOGAN — The idea of personal mentoring and a comfortable environment for feedback is something students are familiar with in Utah State’s department of English. The experience in the English department’s Folklore Program is no exception.

From Feb. 27 to March 1, Utah State students will participate in the annual meeting of the Folklore Society of Utah, taking place this year in Provo in conjunction with a national folklore conference. As has been the case for the past seven years, the Folklore Society of Utah conference will emphasize students as folklorists by providing them the opportunity to present their work to peers and experts alike. Such an opportunity is rare among other conferences in the country, according to Steve Siporin, English department professor and folklorist.

“About seven years ago, we decided to make the meeting into a student-paper conference,” Siporin said. “Now virtually all the papers presented come from students, and the idea is for professional folklorists to respond and mentor the students.”

“There’s a supportive, confident spirit that our students carry into the conference,” Siporin continued. “It’s like a family here; we strive to create a culture in which students feel comfortable sharing ideas. They’re free to speak with us personally and can count on response and support for the papers they’re developing. They go to the conference ready to engage with other folklorists and folklore students and to absorb comments from professionals and peers.”

Siporin will accompany the Utah State students to the conference. The trip is virtually free for those attending — transportation is provided by Utah State’s English department, and BYU students have volunteered housing.

“The Folklore Society of Utah conference is one of most anticipated events of the year for me,” said Siporin.“I look forward to hearing the fresh ideas of folklore students from around the state. The conversation that takes place helps students sharpen their papers for regional and national conferences, and ultimately for publication.”

For more information on Steve Siporin or the Department of English at Utah State, contact Marina Hall at (435) 797-3858.

February 25, 2003
Contact: Steve Siporin (435) 797-2722
Writer: Andrew Bryan



WINTER ISSUE OF “WESTERN AMERICAN LITERATURE” ARRIVES

LOGAN — The Winter 2003 issue of “Western American Literature” has been published and is now available. The journal is based in the department of English at Utah State University. The current release addresses issues including environmental justice, regional identity, racism and class-consciousness in literary works set throughout the American West.

In an essay that focuses on the acequia system of irrigation in New Mexico, author Tom Lynch addresses issues of environmental justice that arise in the writing of Frank Waters, John Nichols and Jimmy Santiago Baca. To accompany Lynch’s essay, the issue also features southwest art by Maynard Dixon and Ernest Blumenschein.

From New Mexico, the reader is transported to Oregon, as John Cleman explores questions of Pacific northwest regional identity in the work of H. L. Davis. In the third essay of the issue, Joe Goeke addresses rhetorical manifestations of anti-racism and class consciousness in John Rollin Ridge’s biography of the notorious Mexican bandit Joaquín Murieta.

The issue also includes essay reviews by Chadwick Allen and Susan Bernardin. Allen considers the varied and often-contrasting representations of Native Indians in American literature as conveyed in new books by Joshua David Bellin, Shari M. Huhndorf, Neil Schmitz and Sherry L. Smith. In a review of recent critical work by and about Louis Owens, Bernardin
explains the importance of “home, mixed blood identity, place and memory” in Owens’s writing.

The book review section features eight reviews. They include Tamara Pavich’s review of “The Novels of Louise Erdrich” by Connie Jacobs, Jennifer Love’s review of “Wild Life” by Molly Glass, and Carey Ellen Emmons’s review of “Swift as Desire” by Laura Esquivel.

“Western American Literature” is the official publication of the Western Literature Association. The department of English at Utah State University has housed the journal since 1975. Thomas J. Lyon served as editor of the journal until his retirement in 1997, when Melody Graulich assumed editorship. For more information about “Western American Literature” or the Western Literature Association, contact Sabine Barcatta at (435) 797-1603.

February 25, 2003
Writer: Angela Waldie (435) 797-3353
Contact: Angela Waldie (435) 797-3353


PINNACLE HONOR SOCIETY RECOGNIZES STUDENTS


LOGAN — The Reentry Student Center at Utah State University will recognize 18 new USU Pinnacle Chapter members, Thursday, Feb. 27, at 7 p.m. in the Walnut Room of the Taggart Student Center. Pinnacle is a national honor society that recognizes the achievements of outstanding returning students.

To be eligible, students must be at least 26 years of age or older, have at least a five-year or more gap in their education and maintain a minimum grade point average of 3.0. They must be involved in campus or community activities and demonstrate leadership commitment and future promise.

New Pinnacle members who attend Utah State at the main campus in Logan include Thomas Brown, Jennifer Carroll, Pamela Chamblee, Tess Davis, Jae-Yang Park and Judith Patterson, all from Logan.

Other members are Valerie Elder, Hyde Park; Diana Glenn, Perry; Audrey Lynn Hivner, Providence; Roger Karren, Smithfield; Holly Lewis, Millville; and Christine Neeley, Garland.

Pinnacle members taking courses through Utah State Extension are Anthony Amman, North Ogden; Kay Lynn Holmes and Sharon Kron, both from Vernal; Rebecca Larson and Susan Young, both from Blanding; and Shelly Zollinger, Centerville.

February 25, 2003
Contact: Janet Osborne (435) 757-1728
Writer: Tim Vitale (435) 797-1356


UTAH PUBLIC RADIO LINEUP CHANGES

LOGAN — Whether temporary or long-term, changes in Utah Public Radio programming will be evident as early as Saturday (March 1). A one-time special program is scheduled for Saturday, but other changes planned for Thursday and Sunday nights are in place for the foreseeable future.

Utah Public Radio’s regular Saturday 8-9 p.m. program, the locally-produced “Fresh Folk,” will be preempted this week only. In its place will be the broadcast of November’s Karen Savoca and Pete Heitzman concert. They appeared Nov. 16 in Logan as part of the Bridger Folk Music Society season concert series.

The new lineup, starting Sunday, March 2, includes “Wait, Wait ... Don’t Tell Me!” at 6 p.m. and the familiar “City Arts and Lectures” program at 7 p.m. “City Arts and Lectures” leaves the 8 p.m. Thursday night slot and is replaced by the new “Justice Talking.”

“Justice Talking” begins Thursday night, March 6.

“Wait Wait ... Don't Tell Me!” is National Public Radio’s weekly hour-long quiz program. Each week people can test their knowledge against some of the best and brightest in the news and entertainment world while figuring out what’s real news and what’s made up.

“Justice Talking” is becoming a source for insight on the hot-button legal issues in the news every day. The weekly, one-hour program is moderated by veteran NPR correspondent Margot Adler and features the nation’s leading advocates who face off in a down-to-earth, free wheeling debate.

A service of Utah State University, Utah Public Radio is heard on KUSU (91.5 FM) and KUSR (89.5 FM) in Logan and throughout Utah on a system of 26 translators.

The Utah Public Radio Web site has more information at upr.org.

February 25, 2003
Contact: Richard Meng (435) 797-3132



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